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Final Cut Studio 3 Released!

final-cut-studio-3Huge news. From seemingly out of nowhere came the announcement of the new release, available immediately.

Here’s the official apple page on what’s new.

Even cooler, here’s 19 free movies…78 minutes worth…from Ripple Training about the new Final Cut Studio 3 release:

Price has been dropped to $999 and upgrade price dropped to $299.

Off the bat, I’m extremely excited that they’ve fixed multi-clips to actually work with markers. I’ve lost my mind several times in the past when I’d forgotten that in the current version of Final Cut Pro, markers added to multi-clips mysteriously disappear. That’s lead to several hours of me swearing (a rather rare sight!)

Great Editing Software for Hands-On-Producers

If you’ve spent more than a few minutes on this blog, you know we feel the best way to break into Hollywood is by being a Hands-On-Producer.

A big part is editing your own projects, especially when you’re just starting out and don’t have a lot of cash. I credit a lot of our success to Final Cut Pro…it allowed me to become a professional editor for a tiny investment, and most importantly, make great tape. And if you’re thinking about producing your own reality television pilot, the combo of Final Cut Pro, Soundtrack Pro, DVD Studio Pro, Compressor, Motion, and Color is hard to beat.

Too Much Going On To Upgrade…

While we won’t be upgrading immediately, as we’re in the middle of several projects, I can’t wait to hear about your experiences with the new Final Cut Stduio, and your reactions to the new features. What are you most excited about?

Please comment and let us know.

See Also: Final Cut Studio 3: Is It Worth the Upgrade?

LiveType Missing in Final Cut Pro Studio 3?

If You Want to Produce Television You Have to Watch TV

tivo-find-programsEvery now and then we’ll take a meeting with someone who wants to break into the business.

The other day, a younger duo walked in wide-eyed and enthusiastic.

They had a “big idea” and lots of energy. But as the conversation progressed over the next several minutes, a HUGE problem became painfully clear.

They Don’t Watch TV.

After their pitch, we had questions.  The conversation went something like this:

“Is this more of a docu-style show, or a competition elimination?”

They didn’t know what that meant, so we explained it to them. (BTW, if you don’t know the difference, subscribe here. A post about different reality genres is coming soon.)

…please know what’s going on in the business before you try breaking into it. 

We then asked, “What networks did you have in mind for this show?”

They had no networks in mind.

“Well, what reality shows do you watch?”

One of the two had seen an episode of Survivor once.

They Were Blowing it in a Lot of Ways.

Needless to say, a meeting that might have had promise (though they had no video pitch–a mistake since they had no credits) completely fell apart because they don’t watch TV.  

No Matter What Business You’re In, You have to Know the Marketplace.

They couldn’t have a conversation about how their show would fit in, compete with, or be seen as a copy-cat to other shows already airing, since they never bothered to research the area of television they supposedly want to work in. 

…it’s also important to know what’s actually being produced in the world today!

So as you’re preparing yourself to become a Hands-On-Producer, please remember that it’s also important to know what’s actually being produced in the world today!  Wanna make movies?  Better be going to the local AMC and abusing your Netflix account.  Trying to get into TV?  Better be abusing your Tivo.

Regardless of the meduim you hope to join, please know what’s going on in the business before you try to break into it.  You only get one shot at a first impression. Don’t ruin it by not doing your homework. 

How You Get Your First Job in Hollywood

help-not-wanted-medHere’s a secret you probably don’t know:

You get your first job in Hollywood because the person they want to hire is not available. Period.

No one cares that you are an undiscovered genius. No one cares that you really are just as good if not better than people already working in showbiz.

Even if you take our advice to H.O.P. to it and transform yourself into a Hands On Producer, no one in their right mind wants to hire a producer without actual producing experience…

You get your first job in Hollywood because the person they want to hire is not available.

…meaning you’ve made a real movie or TV show.

That people have actually heard of.

That someone other than you, your mom, or uncle paid for.

How it Happened for Us

Our career really began when we became Co-Executive Producers and Show Runners on the pilot for Foody Call at Style Network. This happened for a few very simple reasons:

    1. The producers that Style Network wanted weren’t available.
    2. Because we had no track record as Co-Executive Producers, Style Network could pay us a ridiculously small amount of money.
    3. Having no show-running experience, the network was able to put another clause in our contract: if the pilot went to series, they could remove us and give the job to the producers they wanted.

How did that Make Us Feel?

Overjoyed! Happy to be screwed out of every single penny. Not at all worried about getting replaced if the show went to series. Why?

Because for us, it was the opportunity we’d been begging for. The chance to step it up and prove we could do the job. It was time to show them, not just tell them, that we would be worth every penny on the next job.

Wasn’t that a Risk?

Taking crap pay is always a gamble. So is doing a job you can easily be fired from. Guess what? Sometimes, you gotta put your money where your mouth is.

Hone your skills to the point you believe in yourself enough to bet on yourself.

After all, why should the network have taken a chance on us if we weren’t willing to take a chance on ourselves? In their eyes, we were a huge risk. We knew that. But we also knew we had the chops to make a great show. So living extra-broke for a while in exchange for the chance to prove ourselves made perfect sense.

It was time for us to put up or shut up.

That Move Launched Us to the Next Level

We worked our asses off. Around the clock. When the editors left at night, we kept editing. Together, we created extra graphics that weren’t in the budget. We personally soundmixed and color-corrected the show, and wrote (and re-wrote and re-wrote) the voice over.

Joke-Productions-LogoThis all lead to a pilot we were proud of, and Style Network decided to keep us on for the television series (with the small pay we were promised.) However, because they liked our work so much (and maybe felt guilty about the paltry pay) they gave us a company card at the end of each episode…a huge milestone for us.

On our next show, our budding reputation as Hands On Producers followed us, and we were paid far more than we made on Foody Call. (Although much less than you probably think, but more on that another time… be sure to subscribe…)

What this Means for You

You have to be ready when opportunity knocks. Hone your skills to the point you believe in yourself enough to bet on yourself. Don’t be afraid to get “screwed” on your first big job. Just make sure to give it your all. Obsess over every frame of footage. Over-deliver.

Do that, and a real career will follow.

5 Ways to work Faster In Final Cut Pro

final-cut-pro-logo-sm

1. Mountain Dew
2. Pepsi Max
3. Rockstar
4. Red Bull
5. Jolt Cola




Break into Hollywood with HOP–Hands-On Producing

be-hands-on

H.O.P.—Hands-On Producing

Do you want to make it in film or television? Here’s your path to becoming a useful, successful Hollywood director, screenwriter, even actor — you name it. Fact of the matter is, your Hollywood career will leap forward if you start to think like a producer.

What does a producer do?

Do you know what a producer actually does? Does anyone?
There are many definitions of the job. Ask 10 people in Hollywood and you’ll get 10 different answers.

Our definition of producing:

When we decided to chase our Hollywood dreams, we chose to put our money where our mouth was (which wasn’t much). The two of us, Joke and Biagio, would build our careers on a simple definition. Here it is:

Producers make stuff.

Where there is nothing, producers make something. So by our definition, if we wanted to produce film and television, we had to start with nothing, and make film and television from scratch.

Yes, we’d do it all: write, budget, cast, direct, shoot, capture the sound, edit, sound-mix, create graphics, online and output. That is the simple idea at the heart of H.O.P.—Hands On Producing.

How to get the edge on every wannabe producer in Hollywood…

Wannabe’s are a dime a dozen. Get-to-be’s get to be because they take their career into their own hands.

Do it all: write…shoot…edit…

That’s what you’re going to do. You are going to define your own Hollywood career path by teaching yourself the skills of H.O.P.—Hands on Producing. Ever heard of the book Rebel without a Crew by Robert Rodriguez? If not, get it and read it right now. With today’s technology, duplicating his success is easier than ever…if you work hard enough, that is. That book inspired us to put everything we had on the line. Every dime we made went into chasing our dream of producing in Hollywood. So far, so good.

One day, you’ll hire people on your productions.

Sure, when you get big and successful, you’ll hire experts to fill every position on set. In the mean time, you don’t have the money, resources, or most importantly, know-how to run a full production.

Get the know-how by learning to do everything yourself. Later, the people you hire will respect you, because you’ll speak their language.

Producers make stuff

You’ll have the air of someone who’s earned their way to the top by getting their hands dirty.

That’s the way to lead a production. That’s the way to earn the respect of a crew.

Avoid our mistakes. Learn from our successes. Become a producer yourself.

In the coming months and years, we’re going to arm you with real-world advice, our own tutorials, and links to even more tutorials. We’ll share the books that made us who we are, post interviews with working professionals in every area of the business, reveal the software we use behind the scenes, and spotlight other rebels who’ve made their own way into Hollywood.
Anecdotes and real-time updates from pre-production, production, and post will appear here and on our Twitter account.

How hard is this?

Freaking hard! Using the principles of H.O.P to break into Hollywood is not the easiest path to take, but we do think it’s the most rewarding.

When you develop the ability to take an idea from conception to completion—a rare talent in any business—you guarantee yourself the best shot at Hollywood success and career satisfaction.

Lots of tutorials on the way.

We are working producers. Blog posts will come in waves during the non-existent downtime we have ;-) Be sure to subscribe here for the latest tales, tips, and tutorials coming to you straight from the trenches of real-world Hollywood producing! H.O.P. To it!

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