How You Get Your First Job in Hollywood

help-not-wanted-medHere’s a secret you probably don’t know:

You get your first job in Hollywood because the person they want to hire is not available. Period.

No one cares that you are an undiscovered genius. No one cares that you really are just as good if not better than people already working in showbiz.

Even if you take our advice to H.O.P. to it and transform yourself into a Hands On Producer, no one in their right mind wants to hire a producer without actual producing experience…

You get your first job in Hollywood because the person they want to hire is not available.

…meaning you’ve made a real movie or TV show.

That people have actually heard of.

That someone other than you, your mom, or uncle paid for.

How it Happened for Us

Our career really began when we became Co-Executive Producers and Show Runners on the pilot for Foody Call at Style Network. This happened for a few very simple reasons:

    1. The producers that Style Network wanted weren’t available.
    2. Because we had no track record as Co-Executive Producers, Style Network could pay us a ridiculously small amount of money.
    3. Having no show-running experience, the network was able to put another clause in our contract: if the pilot went to series, they could remove us and give the job to the producers they wanted.

How did that Make Us Feel?

Overjoyed! Happy to be screwed out of every single penny. Not at all worried about getting replaced if the show went to series. Why?

Because for us, it was the opportunity we’d been begging for. The chance to step it up and prove we could do the job. It was time to show them, not just tell them, that we would be worth every penny on the next job.

Wasn’t that a Risk?

Taking crap pay is always a gamble. So is doing a job you can easily be fired from. Guess what? Sometimes, you gotta put your money where your mouth is.

Hone your skills to the point you believe in yourself enough to bet on yourself.

After all, why should the network have taken a chance on us if we weren’t willing to take a chance on ourselves? In their eyes, we were a huge risk. We knew that. But we also knew we had the chops to make a great show. So living extra-broke for a while in exchange for the chance to prove ourselves made perfect sense.

It was time for us to put up or shut up.

That Move Launched Us to the Next Level

We worked our asses off. Around the clock. When the editors left at night, we kept editing. Together, we created extra graphics that weren’t in the budget. We personally soundmixed and color-corrected the show, and wrote (and re-wrote and re-wrote) the voice over.

Joke-Productions-LogoThis all lead to a pilot we were proud of, and Style Network decided to keep us on for the television series (with the small pay we were promised.) However, because they liked our work so much (and maybe felt guilty about the paltry pay) they gave us a company card at the end of each episode…a huge milestone for us.

On our next show, our budding reputation as Hands On Producers followed us, and we were paid far more than we made on Foody Call. (Although much less than you probably think, but more on that another time… be sure to subscribe…)

What this Means for You

You have to be ready when opportunity knocks. Hone your skills to the point you believe in yourself enough to bet on yourself. Don’t be afraid to get “screwed” on your first big job. Just make sure to give it your all. Obsess over every frame of footage. Over-deliver.

Do that, and a real career will follow.

5 Ways to work Faster In Final Cut Pro

final-cut-pro-logo-sm

1. Mountain Dew
2. Pepsi Max
3. Rockstar
4. Red Bull
5. Jolt Cola




Break into Hollywood with HOP–Hands-On Producing

be-hands-on

H.O.P.—Hands-On Producing

Do you want to make it in film or television? Here’s your path to becoming a useful, successful Hollywood director, screenwriter, even actor — you name it. Fact of the matter is, your Hollywood career will leap forward if you start to think like a producer.

What does a producer do?

Do you know what a producer actually does? Does anyone?
There are many definitions of the job. Ask 10 people in Hollywood and you’ll get 10 different answers.

Our definition of producing:

When we decided to chase our Hollywood dreams, we chose to put our money where our mouth was (which wasn’t much). The two of us, Joke and Biagio, would build our careers on a simple definition. Here it is:

Producers make stuff.

Where there is nothing, producers make something. So by our definition, if we wanted to produce film and television, we had to start with nothing, and make film and television from scratch.

Yes, we’d do it all: write, budget, cast, direct, shoot, capture the sound, edit, sound-mix, create graphics, online and output. That is the simple idea at the heart of H.O.P.—Hands On Producing.

How to get the edge on every wannabe producer in Hollywood…

Wannabe’s are a dime a dozen. Get-to-be’s get to be because they take their career into their own hands.

Do it all: write…shoot…edit…

That’s what you’re going to do. You are going to define your own Hollywood career path by teaching yourself the skills of H.O.P.—Hands on Producing. Ever heard of the book Rebel without a Crew by Robert Rodriguez? If not, get it and read it right now. With today’s technology, duplicating his success is easier than ever…if you work hard enough, that is. That book inspired us to put everything we had on the line. Every dime we made went into chasing our dream of producing in Hollywood. So far, so good.

One day, you’ll hire people on your productions.

Sure, when you get big and successful, you’ll hire experts to fill every position on set. In the mean time, you don’t have the money, resources, or most importantly, know-how to run a full production.

Get the know-how by learning to do everything yourself. Later, the people you hire will respect you, because you’ll speak their language.

Producers make stuff

You’ll have the air of someone who’s earned their way to the top by getting their hands dirty.

That’s the way to lead a production. That’s the way to earn the respect of a crew.

Avoid our mistakes. Learn from our successes. Become a producer yourself.

In the coming months and years, we’re going to arm you with real-world advice, our own tutorials, and links to even more tutorials. We’ll share the books that made us who we are, post interviews with working professionals in every area of the business, reveal the software we use behind the scenes, and spotlight other rebels who’ve made their own way into Hollywood.
Anecdotes and real-time updates from pre-production, production, and post will appear here and on our Twitter account.

How hard is this?

Freaking hard! Using the principles of H.O.P to break into Hollywood is not the easiest path to take, but we do think it’s the most rewarding.

When you develop the ability to take an idea from conception to completion—a rare talent in any business—you guarantee yourself the best shot at Hollywood success and career satisfaction.

Lots of tutorials on the way.

We are working producers. Blog posts will come in waves during the non-existent downtime we have ;-) Be sure to subscribe here for the latest tales, tips, and tutorials coming to you straight from the trenches of real-world Hollywood producing! H.O.P. To it!

At the studio

Working and waiting on our next meeting. So serious!!!

Biagio-looks-serious

-Posted from Joke’s iPhone

Chad Wrote a Book!

Chad Gervich, the man who bamboozled Warren Littlefield into thinking we deserved a career is once again out fooling everybody into thinking we are more imporant than we are. He wrote a book about us.

Chad-Gervich-Wrote-A-Book
Okay, so it wasn’t about us. But we are in it, so I feel a certain right to claim it’s about us :) Anyway, Chad has killed himself to put together an extremely comprehensive manual on all the ins and outs of the TV business, and if you want to know anything about breaking into television, get his book from our affiliate link: Mediabistro.com Presents Small Screen, Big Picture: A Writer’s Guide to the TV Business

Chad Gervich is a great writer, a fantastic teacher, and probably the funniest guy I know.  He keeps a regular blog at http://blog.writersdigest.com/scriptnotes/ that is a must-read for anyone who wants to be  a Hands-On Producer.

What I like about his book (aside from the fact that he was kind enough to feature Joke and myself in it) is that it’s an easy, fun read that really breaks down the business of television.  I doubt I can do a better job than the review given by David Pitt on Amazon:

This could just be the most informative book ever written about the television industry…Gervich, who has worked in television production for about a decade, concentrates on the mechanics of the industry…It would be difficult to imagine a more engaging, user-friendly, and educational book on the subject. –David Pitt

I agree, and not just because Chad is largely responsible for much of our career success (more on that another time, so be sure to subscribe!)

– Post From My iPhone

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